Apr. 1st, 2019

joreth: (sex)
https://theestablishment.co/a-womans-orgasm-shouldn-t-be-the-goal-of-sex-b0c15cc38c03

This is why I, not only disbelieve any man who claims to be "good" at getting women off (or who offers to get me off), but I actively am repelled by the claim. A woman's orgasm becomes just one more trophy for which men compete, not an experience for the woman. The woman as a person and her pleasure is incidental to the fact that *the man got her off*.

Fuck that shit.

A man who is genuinely interested in a woman's pleasure because he cares about her experience, not his own score card, does not generally feel the need to proclaim his prowess, either publicly or in private conversation as part of a proposal to talk a woman into sex with him.

"A new study published in the Journal of Sex Research has found that men derive a sense of “achievement” by bringing women to orgasm. But not just any achievement — not the sense of satisfaction that comes from giving someone else pleasure — but the kind that comes from self-validation"

"That’s right — a woman’s orgasm and pleasure have become about reassuring insecure dudes that they’re real men"

"Being treated like a project is exhausting." - Suddenly, not only do I now *have* to orgasm (even if my body or mind doesn't really feel like it), but I also have to do emotional labor whether I orgasm or not. If I'm the one who just had sex without an orgasm, I have to spend my time consoling THE GUY for "failing". If I did manage to have an orgasm, I have to put my own afterglow on hold while the guy celebrates HIS accomplishment and I have to properly thank and reward him for receiving the benefits of his hard work.

"Because of this, reaching orgasm can feel like work and often is. It’s tiresome enough, the constant self-objectification and pressure to perform like a pornstar, without the added pressure to “come” to validate the man."

MY ORGASM IS NOT ABOUT YOU. IT IS NEVER ABOUT YOU. MY ORGASM IS COMPLETELY AND SOLELY ABOUT ME, MY BODY, AND MY FEELINGS. YOU'RE FUCKING LUCKY THAT I ALLOW YOU TO WITNESS IT AT ALL.
joreth: (Bad Computer!)
Writer: [writes scathing review of 50 Shades and its abuse apologism]

Man: Nice review, but too many cuss words. Your emotions betray you. You should be able to discuss this topic calmly, or else people won't listen to you. You clearly have your own issues, so I can't take what you say too seriously. I identify with the main character, so he obviously can't be too bad, you just don't understand him.

Me: ♫ Fuck the motherfucker
Fuck the motherfucker
Fuck the motherfucker
He's a fucking motherfucker...
If you don't like the swearing that this motherfucker forced from me
And reckon it shows moral or intellectual paucity
Then fuck you motherfucker
This is language one employs
When one is fucking cross about
Fuckers fucking abusing women and then making fucking money off the story by convincing everyone it's fucking "romance erotica" ...
And if you look into your motherfucking heart and tell me true
If this motherfucking stupid fucking song offended you
With it's filthy fucking language and it's fucking disrespect
If it made you feel angry go ahead and write a letter
But if you find me more offensive than the fucking abuse apologism
embedded in every word of this fucking story THEN YOU ARE PART OF THE PROBLEM♫


https://www.youtube.com/watch?v=G-BJXb8E6Zo

joreth: (being wise)
Y'know one of the reasons why I like the Deadpool movie? Because most of the time, I can't figure out why the female love interest is interested in the male lead.

Her character isn't usually a character, it's a placeholder. She's just this generic sort of "woman shape", with generic sort of "woman attributes" that male writers think all women have - pleasant, loving, nurturing, capable yet needy, wants to save her man, shows him the light, keeps him on the right path, likes flowers and sparkly jewelry (but not too much), and is sensual without being dirty. And maybe a little clumsy, because, y'know, that's relatable.

The male leads are diverse and flawed and colorful. Exactly the sort of men that a boring, vanilla, "blank" woman would not be interested in.

But Vanessa has the same sense of humor as Wade (Deadpool), which, let's be honest, is a little over the top, if I'm being generous. Outside of a comic book movie, he's fucking annoying. Nobody who doesn't share his sense of humor is going to spend years with him smiling tolerantly while he goes through life totally incapable of having a serious conversation. But she's his match.

I like Deadpool because I *get* why the romantic couple is together. She's not a carbon copy of Wade. She compliments him. She has strengths where he does not. But she also isn't his Manic Pixie Dream Girl. She's just as fucked up as he is. As the character says right in the film "your crazy matches my crazy".

I like Deadpool because it's probably the healthiest, most compatible relationship I've ever seen on screen. It's at least up there in the top 10.
joreth: (being wise)
OK, so you know how Rey in Star Wars is not a Mary Sue because she has exactly as much (if not more) background to justify her connection and skill with the force as Luke did in the first trilogy?  And, like, how NONE of SW really makes a whole lot of sense, it's basically just a spaghetti western in space with literal white-hat good guys and black-hat bad guys and a pretty contrived plot? (Remember, I'm a huge SW fan, I'm just not blind to the flaws in my fandoms)

So you can't think Rey is a Mary Sue unless you think that of pretty much every (male) character in the entire universe, because she is consistent with the utterly fantastical (and by that, I mean "unbelievable) universe that is Star Wars - you can't think that about Rey w/o thinking of that for everyone else without that viewpoint being basically misogyny?

So, yeah, you can't think that the tech in Black Panther is "unbelievable" or "too advanced" unless you think that about the entire MCU, because totally unrealistic tech is completely the MCU's M.O.

To think that it's somehow suddenly unbelievable now that the people whose culture evolved for thousands of years literally around and on top of the super secret super amazing metal were not capable of developing that tech while Captain America in the '40s had fucking death rays can only come from embedded racism.

This doesn't mean you hate black people. It means you have some assumptions about what it means to be black (and African) that were deliberately created and fostered by white slavers and colonizers generations ago to do exactly what these kinds of thoughts just did - think that black people are less advanced, less "evolved" than any other people.
joreth: (being wise)
#ProTip Make your desktop background the conference logo so if you need to dump out of your slideshow for any reason it looks like you did it on purpose.

(like you forgot what your last slide looked like and you hit the next button one too many times and you didn't "continuous loop until esc" so it knocked you out, or you realize you have the wrong thing loaded up and you have to quit the slideshow entirely to put the correct thing on the screen - both of which presenters did today)

In a professional show, there is a team of video engineers in the back who will switch between content sources and usually a logo. It looks very unprofessional, and very under-prepared, for your desktop with your kids or your dogs (or your wife in a bikini!) covered by a thousand folders to suddenly show up on the big screen.

Or to want to back out of Presentation Mode so that your audience sees the Edit Mode of PowerPoint on the screen, like when you want to show a video but you didn't embed it so you have to escape out of your slideshow, open up a video viewer, show the video, close the video viewer, and get back into your slide deck.

These are all unprofessional mistakes. Make your desktop the conference logo and when you plug your laptop into the projector, change your screen settings to "extended desktop". Now, the only thing that will show on the screen will be nothing but the logo background, and when you start your slideshow, it will automatically go into Presentation Mode on the extended screen so that nobody sees the Edit Mode while you start it up.

Then, escaping out of Presentation Mode or closing PowerPoint or accidentally clicking past the last slide will all default to the activity happening on your laptop and a blank background (of your logo) on the screen.

I have this and many more pro tips in my Present Like A Boss workshop.

#LiveSwitching #AlsoGoToRehearsal #OopsWhereAreMySlides?
joreth: (feminism)
Having one of those nights where I have several really complex and long blog posts brewing in my head, but not enough concentration to sit down and write them.

One of them is about the portrayal of abortion in pop culture and my own story about it. There was one show where one person asked another to procure some abortion pills for her because she didn't have access to them. The other person did, but lectured her about "now make sure this is *really* what you want to do, because there's no coming back from this..."

And the first person interrupted her by grabbing the pill and dry-swallowing it, whispering "please act soon, please act soon, please act soon".

I want to see more representation like this. And not all by women who have gotten pregnant through rape. Not everyone who has an abortion makes a "hard choice", or has to "live with it" forever after. For some of us, it was the easiest choice we've ever made and we are grateful for having had the choice more and more as time passes.

I wish I could concentrate, because my own story is struggling to get out, and I have so much to say in support of people for whom this is not something to be agonized over. And the deep sorrow for those who feel that way but are not given the option to make their own choice.

Another blog post was bumping around my head earlier today, triggered by, I think, a podcast I was listening to. But I can't remember which one and now it's buried under the abortion post's noise. Hopefully I'll remember it when I have some time to write soon.
joreth: (dance)
Y'know what? I complain a lot about the conservatism in my local dance scene.  I complain about not being able to develop strong connections to anyone because of their political values, their anti-science beliefs, and their religiosity.  But after reading some of the comments on the post that I made on my timeline and in a couple of groups, asking for inclusivity suggestions, I feel the need to express some gratitude towards my local dance communities.

In those dance circles that I frequent, we have the following values that I appreciate:

Yes, the dance scene is quite heavily gendered by default, but when people *do* take the non-conforming role, the community typically accepts it and often embraces it. Women and people presenting as women are more likely to take lead roles in the Ballroom and Latin scenes, while all genders can be seen switching roles in the Lindy Hop and Blues dance scenes.  The Lindy Hop scene also trends towards a younger and more liberal demographic.

I have not witnessed any ageism or fat-shaming.  This does not mean that it doesn't exist, but it does mean that it's not a common occurrence.  I would believe anyone who said they did experience either in my communities, but the people I talk to about it don't seem to have experienced it.  People of all shapes, sizes, and ages are welcomed at these dance events, get asked to dance often (regardless of gender), and are active participants in the communities.

In my local communities, dance is seen as a social activity and a "community", so the general cultural attitude is that we want everyone to dance and we want everyone to have a good time.  To that effect, experienced dancers of either role, and leads of all experience levels, feel that it is their happy duty to go around the room and invite anyone to dance that they see isn't dancing.

Ballroom dance events have a convention called a "mixer" especially for this.  Because of the gendering in the dance community and also the gender roles in the culture at large that discourages men from exploring or expressing an interest in learning how to dance (thanks toxic masculinity), dance events are usually 2/3 women and 1/3 men (-presenting people).

So ballroom dance events have at least 2 points in the event where a medley of the same tempo songs are played in a row, the follows (because follows are usually women, and the women outnumber the men) line up along one wall, and the less numerous leads line up across from them.  The first lead in line takes the first follow in line, dances her around the floor once and drops her off at the end of the line, and then moves up to take the next available follow for her turn around the floor.  This way, everyone gets to dance, if they want to.

This is also a good way to be introduced to other people in the complimentary role if you're new.  Now that they've had a chance to dance with you, they know who you are and what your skill level is (and vice versa), and that relieves some of the anxiety about asking someone to dance later.

The communities encourage more advanced dancers to see dancing with newbies as an opportunity, not a punishment or a chore.  We take delight in giving newbie dancers more chances to practice because that brings more *advanced* dancers into the fold later as they improve.  I'm *thrilled* to do the same 3 steps over and over again with a newbie if it means that they will develop more confidence and keep coming back.

My dance communities, because of that whole "community" and "social activity" thing, also see dating within the community as ... challenging.  Nobody thinks you should NOT date another dancer, of course.  But pretty much everyone looks on the dance events as meat-market-free-zones.  Dances are not the place to hit on people.  They are not the place to find partners.

They're like poly discussion meetings in that respect - when you spend enough time with someone at a social event, you might eventually develop a friendship out of that space, and that friendship may eventually lead to a romantic relationship.  But the event is for dancing, not hooking up, not flirting, not hitting on people, not propositioning people.  People frown on those who hit on other dancers in the scenes.

And because social dancing is a social activity, people also frown on excessive displays of jealousy in the scene.  Some people arrive as a couple and only dance with each other.  It's allowed, but it's kind of side-eyed.  Because of that above-mentioned cultural value of making sure everyone is having a good time (which means everyone is dancing as much as they want to), and because of the gendering of roles and the gender disparity, my dance communities see it as sort of rude to monopolize one person's time when you could be out there sharing your love of dance with everyone.

They don't go too far by insisting that people dance with anyone they don't want to, but having jealousy and not wanting your partner to dance with others is kind of a cultural no-no.  When someone in the dance scene gets a non-dancing partner, and the dancer starts to drop off the scene because their partner doesn't dance and they won't or can't dance without them, that couple is usually murmured about.  The dancers in my local community see it as healthy for couples to have separate interests, or, if they share the interests, to still be able to do the interest as an individual person, even with other people.

One of the things I liked about my local dance communities, is that when my FB status changed and people found out that I had gotten legally married, not a single person changed how they treated me.  Nobody asked me if my husband would "mind" if they asked me to dance, nobody changed their dance style to a more formal, stiff, polite, or distant style, nothing like that.  People asked where he was and if he danced, but nobody suddenly got cautious around me or treated me as if I was off-limits.

In my local dance scenes, people are also usually very good about rejections.   I can say "not right now" or "no thanks" and they just nod and move on.  I'm never afraid of a bad reaction because I've never been given one in my scenes.  Everyone sees it as a sign of immaturity and the men in particular are disapproving of people who can't handle rejection gracefully.  And the women talk to each other.

Women and/or follows are also encouraged to ask people to dance, so they don't have to simply sit around waiting and hoping for someone to ask them.  This is not one of my strengths.  I still prefer to be asked than to do the asking, but once I've developed a good dancing relationship with someone, I am more likely to ask them as often as they ask me.  There are no gendered rules about who asks whom, for as gendered as the rest of the social conventions are.

So my local dance communities are not perfect. There are still a lot of things that I'd like to see improve.  I'd like to see more gender-neutral language (switching back and forth between lead/follow and men/women is still too common), I'd like to see more POC (there are a few, but more Latinx and Asians than black people), I'd like to have more people who share my politics so that I could develop off-the-floor relationships with people, etc.

But not respecting consent, body-shaming, not accepting role-switching, and using the dance scene as a pickup spot are some of the more egregious violations in the dance world that my local dance communities do not support.  Not that these things never happen, but they are not supported by my communities. And I have to give them props for that.

For the record, when I teach my lead & follow communication workshop and when I give general dance lessons, I do my best to avoid or reduce all the other complaints as well.  So if you ever wanted to learn how to dance, find me at a conference somewhere (or bring me out to your local conferences or communities!) and I will be happy to give some instruction.  I don't even have to be at an event for the purpose of teaching dance - I'll teach dance anywhere, any time someone wants to learn.

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