Aug. 18th, 2011

joreth: (Super Tech)
I'm reading a book right now and there's a recurring theme that's pissing me off. The reason it's pissing me off is because I see this same theme in society around me, and it happens to be an extremely personal issue. The issue is adoption.

We have an incredibly fucked up idea of family and parentage in our society. People are really, strongly, obsessively invested in who has whose genes. And I don't mean the biological drive to procreate. I get that we have this drive to make sure we have progeny to ensure the continuation of our genes. But we have lots of ways of making sure that we continue on, and our genes do just fine on their own without our interference. For instance, it turns out that homosexuality actually *helps* procreation. Let's say that Sam and Suzy have 2 children, Bobby and Betty. Bobby is gay and Betty is straight. Betty gets married and Bobby doesn't, because he's gay. That leaves Bobby available to assist Betty and her husband Johnny raise their little tykes, with babysitting duties, gifts, maybe even more substantial contributions to the household. Bobby is Sam and Suzy's insurance policy to make sure that Betty's kids (Sam and Suzy's grandkids) have an edge and therefore out-compete the kids growing up next door, who don't have the benefit of an extra uncle to dote on them.

That's an oversimplification of course, the point is that we have a variety of ways to ensure the propagation of genes, and some of those ways might not seem, on the surface, to be beneficial, but they are.

So, what does that have to do with adoption? Well, my position is that this obsession with whose kids are whose goes far beyond what can be explained with genes. It has to do with memes. Social memes. Those nasty little mind-worms that infect societies and dig in deeper than some biological viruses. Somewhere along the line, we collectively decided it was appropriate, desired, and necessary for men to guard the vaginas to make sure that nothing went in and nothing came out that didn't "belong" to the men guarding them. This idea gained traction quickly and took root deeply to the point where we are now looking for biological justifications to excuse the brutality of men against women and against other men (but mostly against women).

And this meme works going the other direction too - children who are socialized with this kind of bullshit are terrified at the thought that mommy or daddy might not be their "real" mommy or daddy. Even adult children are terrified about this. The worst insult a man can be given is that he doesn't know who supplied half of his genes (bastard). Even as adults, the mere thought that one's parents might not be one's "real" parents is enough to make grown adults resort to violence.

I am adopted. I have always known that I was adopted. Although I did not meet my biological mother until I was 30, and I have never met my biological father, I grew up knowing the story of my birth and my biological lineage. I knew that my bio-parents were teenagers when I was born, and that was the reason I was given up for adoption. I knew that I had European ancestry on my mother's side and Latin American ancestry on my father's side. I knew that my birth-mother was given a choice as to who my adopted parents would be and she chose the couple who raised me, although they never met. I knew all of this from the moment I was able to understand it. And I was always OK with it.

My adopted mom (whom I always call "mom") has always made it very clear to me that I may not have come from her stomach, but I did come from her heart. My adopted parents raised me from the time I was 15 days old. They stayed up with me at night when I was sick, they helped me with my homework, they dried my tears when I was so panicked at the thought of spending another day with the school bullies that I made myself sick. My adopted parents have always been parents in every sense that matters.

My birth mother (whom I usually refer to as "mother") was also held in high esteem. Something else that my adopted parents made sure to instill in me was a deep and profound respect for the woman who made the ultimate sacrifice in my adoption. I can't imagine how difficult it must have been to have carried a baby to term, given birth, and then given that infant to someone else, knowing that she would never see her baby again. She never did see me. She asked not to, afraid she would change her mind if she did. This woman, this girl, didn't abandon me. She made the best decision possible - to allow someone else to raise her child so that her child had the best possible chance for survival, because she was not the best possible choice.

In the book that I'm reading, the main character was raised by his father in a small village. His mother died before he had any real memory of her. The main character doesn't look anything like his father, and in fact, doesn't look anything like anyone in the village. He stands out like a Norseman raised in the south of Spain. But as he travels through the story, he learns hints that he may not be genetically related to his father. He learns that his father left the village for a couple of years and returned home with a baby. His father told him that he had been born in that village, so he vehemently denies this rumor. Every time it is suggested that he may have been a foundling, he shouts his name and that he is the son of his father.

And every time he does that I want to reach through the pages of the book, grab him by the throat, and throttle some sense into him. Of COURSE that's his name; having different genetic donors doesn't change that! Your name is what people call you, and having some other ancestry doesn't change what people call you, or what they have always called you in the past. Of COURSE that's his father; having some stranger impregnate some other stranger doesn't erase the last 20 years of the man he thinks of as his father, as he taught him to read, taught him to farm, taught him to fire a bow and arrow. That his genes come from people he's never met DOES NOT CHANGE WHO HE IS OR WHO HIS FATHER IS. It *might* explain some things about himself that don't make sense without that information, such as his coloring. But it does not change history and it does not erase those relationships with people he currently has.

And this book keeps pissing me off because I see people going through this same situation all the time. I see people panic at the thought that the people they love, who raised them, might have a genetic code that is 3% different from theirs, instead of 2.9% different. And the reason why that reaction pisses me off is because it is a direct accusation to people like me, people who were raised by someone other than their genetic donors. Every time I say I don't want children, and people ask what happens if I change my mind, and I say that I'll adopt, every time they say "but what if you want children of your own someday?" Fuck you. Any child I adopt WOULD be my own goddamn child. I think it's frighteningly telling that these people actually believe that someone could possibly deliberately raise a child and not love it as one's "own".

It's so terrible, so awful, this idea that we might not be blood-related to our parents. Someone who really thinks that is so busy freaking out over that thought, that he doesn't usually stop to consider that, if it's so awful that he is not related to his parents, then it must be just as awful for me to not be related to my parents. And I am deeply resentful of the idea that my parents are not my "real" parents.

My parents are every bit my "real" parents. Not giving birth to me did not make their sacrifices for me any less, or diminish their love even a single iota. There was never even a single moment of "she's not my REAL daughter, so I only love her a little bit". I, and my adopted sister, were the children my parents always wanted. We gave them every bit as much love, and as much grief, as any "natural" child ever gave her parents.

This idea of "natural" offspring is, I think, one of the most harmful, destructive memes we have the misfortune of propagating. It causes men to turn violent, to destroy women's bodies, to kill. It causes women to doubt their very humanity when they can't have children "of their own". It causes relationships to be destroyed at even the suspicion of other genetic material in the vicinity. It causes children to doubt their very identities because we do not encourage people to develop identities on their own merits and personalities, but on their relationships to other people. Who is this strange child if it's not "mine"? Who am I if I'm not related to my parents?

That child is the same child he has always been, and I am always me, no matter who my parents are. Regardless of where my DNA came from, my parents raised me and shaped the person I am now. I am the culmination of biological matter, values instilled by the people who raised me, exposure to ideas from society around me, and my own accomplishments. I am Joreth. Adult human individual and daughter of my parents. All four of them.
joreth: (polyamory)
http://movies.netflix.com/WiMovie/Amelia/70108780?trkid=2361637 - Netflix
http://www.imdb.com/title/tt1129445/ - IMDB
http://amzn.to/2uTH5iy - Amazon

First of all, I'm going to give spoilers. This movie is based on a real person and historically important events, so I don't really feel any need to protect people from spoilers. If you haven't heard what happens to Amelia Earheart by now, you're probably too young to be reading my journal or not aware of my journal in the first place.  We don't watch biopics to be surprised by the ending, we watch them to find out how this particular storyteller tells the story.

I remember a few years ago when Amelia's letter to her husband about the nature of their marriage made the rounds in the poly community. I really resonated with it because it was not so much a statement of polyamory, but a statement of independence and female empowerment. This movie used several of her letters, this one included, as actual lines in the movie. So, without really doing any independent research into her life, this movie seemed to ring true - at least as true as any Hollywood film can be.

So anyway, I started out watching this movie knowing ahead of time that she had an open marriage and that she is on everyone's poly-celebrities list. And, of course, I am also aware of the only way this movie can end, what with her rather legendary demise and all. So I tried really hard not to get my hopes up out of fear that they would be dashed on the rocks, only to constantly remind myself not to be so cynical at every scene where there wasn't a happy poly family on screen.

It actually took a while to get into the poly stuff, but, conversely, because we had to cover so many years in a 2-hour film, I felt like her relatonship with her husband was rushed. I didn't feel properly prepared for their first kiss - it seemed to come out of the blue to me. But when it came to part where he asked her to marry him, she wrote him her famous letter while he slept and then read it to him when he woke.

For those who have never read this letter, it goes like this )

So I can completely see why she has been embraced by the poly community. She isn't just practical about future attractions to other people, but she's also feminist and independent. She is concerned that her marriage will interfere with her career and she wants to keep her own place for when she needs time for herself. And I think the sentiments in this letter were well portrayed in the movie, and not just because she said them as lines of dialog.

But then it took a while before anyone else came into the picture. So I started thinking that this wasn't so much a story about polyamory, but about Open Marriage in the original sense that the coiners of the phrase intended. Open Marriage, according to the book of the same name, was much less about extramarital affairs and much more about being authentic and honest within one's marriage - being open with each other to share their innermost thoughts and to be themselves without fear. They were very much for the concept of independence within a partnership, not losing one's identity to the couple. I'm not sure if that's where the term "interdependence" came from, but that's the general idea. So I thought to myself "well, ok, that's not exactly poly, but poly is a subset of Open Marriage, and many of those traits are integral to polyamory, so I guess this is poly-ish".

But then Amelia meets Gene. Gene was another flier who admired Amelia and ran in similar celebrity circles. In reality, the question of their relationship is controversial, but the movie takes a pretty clear stance that they became lovers while Amelia was married to George. So then I started to think, "OK, this is still an Open Marriage in the original sense, but now it just happens to include that single chapter on extramarital lovers." George notices immediately, in the movie, the attraction between Amelia and Gene, and he seems uncomfortable and resentful about it. But he gives her the freedom to pursue it. Rather reluctantly, it seems. But where things get complicated is that Gene and George have a very civil, friendly even, relationship with each other. Gene even stays at their house for a while, along with his child.

So then I started to think "oh, I guess this is poly - it appears to be a poly vee." But next we see an argument between Amelia and George when Amelia suggests, because of their respective touring schedules, that she remain at home, with Gene, while George go on his trip. George throws a fit at the idea that the two will be alone in his home without him. So that threw me back in the "open marriage, but not poly" camp cuz, IMO, it's not poly if someone is being dragged into it, appearances to the contrary.

But really, George and Gene get along pretty well, and continue to get along for as long as the movie says that relationship lasts. There is no secret, everyone knows what's going on, even the kid. At one point, Gene's son asks Amelia to marry his dad. Amelia says "you know I'm married to Mr. Putnam" and the kid says "why can't you be married to Mr. Putnam and my dad?" Amelia just smiles and closes the door. If that isn't poly, I don't know what is.

I think that George is put in a very difficult position. He lives at the turn of the last century when women were not equals and marriage had certain rules, and he has the blessing and the curse of being in love with a woman who thinks she's his equal. With a woman like Amelia, there is no compromise - you have a partnership with an equal or you have nothing. That's tough to handle in any era, but especially in previous eras. So I think, given the time involved, this movie really did show a version of polyamory, even if some of the characters had a difficult time accepting it. After all, who among us ever embraced all that goes along with polyamory without even the slightest bit of difficulty? Some maybe, but not many.

Later, we meet Amelia's navigator on her fateful final flight. They have a conversation where it appears as though he is mangling an attempt to hit on Amelia. The conversation goes something like this:

Fred: You and your old George, that's a touching love story.
Amelia: An honest one if I say so myself.
Fred: I wonder if it's honest enough for George.
Amelia: If you mean Gene, we're not together anymore, in that way, not for a long time. You don't think I love my husband?
Fred: Actually I do, in a certain way.
Amelia: But you disapprove of how I live.
Fred: Hell no, it's just like me. In fact it's like most guys I know.
Amelia: Meaning?
Fred: Guys love their wives, their girlfriends, doesn't mean they don't take advantage ... of an opportunity.
Amelia: If you have a point, make it.
Fred: I believe I have.

So this conversation clearly shows that, not only was her relationship with Gene common knowledge, but Amelia admits it without hesitation, and that the relationship was not a symptom of any problem with her marriage. Although Amelia was a very private person and tried to keep her personal life out of the limelight, she also appeared to believe strongly in honesty in her relationships, in the lack of possession between partners, and, in fact, in the partnership between partners, not ownership.

Whether Amelia herself really had a relationship with Gene or not, this movie portrayed a strong, independent woman who was a champion of equality and who loved her husband without posession and who expected the same in return. The relationships in the movie were not without their stresses, but they seemed to be open and honest and accepted by all involved. I don't recall any scenes in which Gene tried to "steal" her away from George, and George never once tried to change Amelia into a monogamous, traditional wife. He supported her in her career and in her freedom.

I'm sure the real Amelia was not the iconic vision of feminism that we see in the movie - at least, not all the time. I'm sure she had her issues, and I'm sure George wasn't the unconditionally loving husband he is portrayed, and if Amelia really did have any lovers, I'm sure they also had their flaws. But for a movie, set in a time period when women just didn't do that, shown to a modern audience that continues to disapprove of non-traditional relationships, I'm actually a little surprised at how flatteringly they told this story. And don't forget, this is ultimately the story of the first woman to fly solo across the Atlantic, and the almost-successful first flight of anyone around the globe. That they spent any time at all on the romance speaks volumes, let alone telling it sympathetically.

I'd call this a poly movie, even though the plot is not really focused on the relationships but the two male leads are fundamental supports for her in her career. It's about daring adventurer and her passion for flight ... with a little love thrown in.

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